Land's End Trial 2010
It rained very hard at one point so I laid off taking pictures for a while for fear of waterlogging my equipment (Oh Matron!) but as the sun came out so did my camera.
Regular readers of this blog may remember the exploits of the Team Robert trials team in previous Land's End Trials. Rob Robinson-Collins (who is commonly known as Binky to distinguish himself from me, Ginger) passengered Dave Turner in his Mazda MX-5 this year. This was their first time out and Dave said they actually had too much grip. He'd also supplied a modified diff to Dennis Greenslade and Sheree Tonkin who were in the only other MX-5 to compete. Dave's own diff remained unmodified but that's the trialling fraternity for you - generous almost to a fault.
Dave has now been made an honorary Robert in recognition of his endeavours and is now known as Algy.
They were happy enough with a Finisher's Certificate and so were Dennis and Sheree, although apparently their alternator failed just after signing off at The Crossroads Motel at Scorrier.
The bikes did pretty well in view of the conditions. I would really like to look at Joe Stollery's Royal Enfield Constellation more closely. This looked like a Vintage Thing candidate but it was too wet for photos and there wasn't really the opportunity to quiz the pilot about his steed.
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Blue Hills 2 has been straightened out a bit since last year and was muddied just out of the restart box. This box offered considerable choice of stopping points for the competitor but nearly everyone chose to take as long a run up as they could. Only those who got speed up quickly and managed to carry this through the bend and over the humps managed cleared the section, however.
I ran into Roger Ugalde, the clerk of the course, and he said he was pleased with the challenge of the trial this year. I knew a few entrants were concerned over the regularity section where they had to maintain a constant speed over a measured mile, because some wheel and tyre combinations could cause speedo errors.
"Whose idea was that? I asked him.
"Mine," he said, obviously very pleased he had created what I believe Micheal Heseltine used to call "creative tension".
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